Art can use light to convey emotion, conceptual thought, or make a statement; it transcends language.
Artists have always used light to emphasize certain aspects of their works of art. How light bathes a basket of fruit, for example, or shines on a pearl earring, can accentuate an art work’s attributes. The contrast of darkness with lightness can be alluring. Chiaroscuro, for example, is a technique using a stark contrast between light and dark to create dramatic compositions, most famously used by artists such as Caravaggio, Rembrandt and Goya. In modern and contemporary art, only the medium has changed.
Today, some artists use light itself as art. Light art, as it’s come to be known, can take multiple media forms, including sculpture, installation, and performance. Artists can use colors, angles and shadows to create their work. You may have seen more of what’s called light art than you realize; neon signs, holographic images projected on a building, abstract light fixtures or light sculptures. Light art dominates museums as well as commercial and residential spaces, making it a prominent and accessible art form.
Background on light art
The light bulb was invented in 1879. Yet it’s believed that an artist named El Lissitzky is the first to have used electrical light in his work — 60 years later. One of the first object-based light sculpture was made by Laszlo Moholy-Nagy in the 1920s.
But using light in art goes back to ancient culture.
“The interplay of dark and light has been a theme running from Greek and Roman sculpture to Renaissance painting to experimental film,” explained art critic Hilarie M. Sheets. “As technology advanced from the glow of the electric light bulb to the computer monitor, artists have experimented with actual light as material and subject.”
From bulb to projection
Light art as it’s known today originated in the 1960s as kinetic, or Lumino kinetic, art. In later forms, some artists used light to create psychedelic experiences. From that movement came minimalism, with artists such as the late Dan Flavin, who worked with fluorescent light tubes, playing with light as it relates to sculpture, movement and various spaces.
Neon took the light art scene in the 1980s. During this decade, electric neon lights resurged as part of the arts scene. Artists began using neon in interior design and sculpture in an effort to push boundaries.
The newest light art trend is projection mapping, which projects video onto an object, or wall. When shown against three-dimensional objects, a projected video employs color, light and movement to give the appearance of transforming a static object into something almost lifelike.
LED innovation in light art
Another recent trend in light art is the emergence of light festivals using LED lights. LED lights allow low-energy, highly visible projects to be showcased in modern cities. The low-energy LED movement traces to 2009. Today, major cities put on outdoor light exhibitions featuring bright, low-powered lights.
Many artists have gained notoriety using light as an artistic medium. From public space exhibitions to museum showcases, light art uses everyday encounters to express an experience, a thought or an emotion. Among artists using light:
Ellsworth Kelly was an American painter, sculptor and printmaker in Spencertown, New York associated with Color Field painting and minimalism. His techniques emphasize line, color and form. Kelly often used bright colors.
Mona Hatoum’s Terra Infirma comprises more than 30 sculptures and installations. Hatoum’s work often references domestic and everyday objects with themes of home and displacement, global instability and political upheaval.
Romanian-born artist Adela Andea uses LED light and space, magnifying lenses and flexible neon tubes to immerse viewers in a sensory experience.
This aerial sculpture — 100 feet of neon tubing looming overhead — now hangs in the Museo Novecento in Milan, Italy. Giant windows entice you to look out onto the famous Duomo, yet, your eyes are drawn to Fontana’s Structure in Neon for the 9th Milan Triennial at the Palazzo dell’Arte, Milan 1951 titled after the place where it was originally installed. Fontana’s light art combined what he referred to as ‘spacial concept” and “spacial environment.”
Among James Turrell’s pieces is this installation at the Guggenheim Museum in New York, where Turrell used shape and light to immerse the visitor in purple. Turrell demonstrated here that light doesn’t have to be static or displayed on a wall — he shows that light can merely be part of an experience.
In this piece, Jenny Holzer makes a statement about power by using light on words from declassified U.S. government documents. Her piece was displayed in the Whitney Museum, but Holzer’s work has exhibited in many places, including Times Square.
Gunda Foerster strays from post-minimalistic light, evoking a sense of awe and alienation. This piece, shown in Berlin, is called TUNNEL. Fluorescent yellow bulbs light and surround the hallway, emphasizing color, neon and unnatural light.
By spelling words with light, Ben Rubin made a mark on the light art scene. With a multimedia background, Rubin used vacuum-fluorescent bulbs to display text from a chat room in real time. By using dark and light from within a specialized light bulb, he created a unique piece.
Jim Campbell created this piece, titled Scattered Light, in 2010, showcasing passersby. With a hanging set of 2,000 LED lights, Campbell engineered the piece so that lights individually turn off as people walk by. From afar, the scene is almost spooky as you watch silhouettes glide past lights.
Using lights, robotics, LED screens and film projections, Rafael Lozano-Hemmer alters how people interact within a space. Featured here is his piece Pulse Room, where hanging incandescent light bulbs flash at the same rate as a visitor’s heartbeat when they hold on an interface placed inside the room. Light can alter one’s mood. When tied to a heartbeat, light can leave the visitor with a stronger sense of awareness.
With a different approach than her peers, Angela Bulloch combine light art with mysticism. The Munster Cathedral displayed Bulloch’s Night Sky: Mercury & Venus above the altar. The juxtaposition pits the modernity of LED lights against stained glass.
Installed at Pinchukartcentre in the Ukraine’s historic city, Kiev, in 2011, Danish-Icelandic artist Eliasson’s inspiration for Lamp for Urban Movement is shadows and light and how the difference creates space. “Let’s say that the spheres are machines that create space,” Eliasson says. “Some of them contain a light source inside that projects fragmented light out into the space where they are hanging, like a map projection. So it is not only, or primarily, the physical object in the space that interests me, but the way the light and the shadows and the colors claim and create space together. They perform architecture, you might say.”
Peruvian-born Grimanesa Amorós lives and works in New York City as an interdisciplinary artist known for large-scale installations of light sculpture. Amorós first researches locations, histories and communities of her sites, and incorporates various elements from video, lighting and technology to create site-specific installations to engage architecture and create community.
Keith Sonnier is a Postminimalist video and light artist. In 1968, Sonnier created his first artwork using neon. A neon tube is a sealed glass tube with a metal electrode at each end, filled with one of a number of gases at low pressure.11 He has been one of the most successful with this technique. Over the years, Sonnier has used incandescent, fluorescent, as well as LED lighting. Sonnier’s pieces tend to include light tubes, aluminum and other objects to create electric light sculptures.
Light art tells a story
In fact, it tells quite a few. Modern artists have leveraged this relatively new technology to play on an age-old fascination humans have with art and light. By experimenting with color and shape and intertwining its existence with outside materials, our public spaces and our museums, light art challenges the way we perceive the things around us.
David Hakimi is a lighting specialist and one of the co-founders of Alcon Lighting. A graduate of the University of California Los Angeles (UCLA), David works on the front lines of the energy-efficient lighting revolution, enabling architects, designers, and lighting engineers to transition from outmoded halogen and fluorescent lighting. David takes particular pride in Alcon’s design, energy, and green building knowledge, tracing his and Alcon’s commitment to quality, innovation, accountability and value back to the lessons learned from his father, a Southern California lighting salesman and consultant for more than two decades. Passionate about climate change and protecting the environment, David has been particularly valuable in ensuring that his clients and customers comply with rapidly-evolving green building codes.
At Alcon Lighting’s LA headquarters, co-founder David Hakimi adopted a 12 year-old dog named Nano and decided to bring him into the office every day. Let’s just say it garnered some attention. It quickly became clear that Nano, who’s now 14 years old, relishes a long nap. Nano likes to hop and curl up in an easy chair, resting his head on the arm, drifting into slumber. In fact, David says this is Nano’s favorite activity.
Essentially, volumetric lighting refers to the illusion created when a lighting technique suggests a certain perspective, orientation or effect that increases, enhances or magnifies the sense of volume in a given space, context or application. In residential and commercial lighting design, volumetric lighting is often synonymous with task lighting. Light fixtures designed with optics that have a fully luminous and distinguishable beam spread and can be directed, with purpose, to light art, a table, produce in a market, etc.
As the United States of America celebrates Independence on the Fourth of July, it’s worth remembering lighting’s role in the American Revolution. Revere’s light signal was a backup plan designed to warn patriots in Charlestown, a borough across the river from Boston, in case Revere was arrested by the British occupying Boston and thus unable to initiate the ride.
“98% of what gets built today is sh**. There’s no sense of design nor respect for humanity or anything. They’re bad buildings and that’s it.” – Frank Gehry. Fun fact: One of Frank Gehry’s most famous works as an architect is his own private Santa Monica residence.
The Continental Congress passed an act establishing an official flag for the new American republic on June 14, 1777. President Truman declared June 14 as Flag Day August 3, 1949. Anyone considering displaying America’s flag for Flag Day today or on Independence Day on July 4th might want to give some thought to proper illumination.